Somewhere
Posted on August 20 2024
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SOMEWHERE │ Online Exhibition August 2024
Text by Antonio Muratore
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Somewhere is the theme that brings together the works exhibited here, it’s a journey to those places and undefined contexts, fantastic places in which you can get lost, places of escape from reality where freedom is lived by finding that sense of union and harmonious cohesion with the environment. Places that reveal the personal perception of the world and the authentic emotional experience, where our self is transported by osmosis in a space without time and "without place".
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Humankind’s innate primordial instinct of discovery is the origin of the curiosity that stimulates us to go beyond, to understand what presents itself beyond the spaces already lived, a curiosity that opens new horizons and new paths to knowledge, development and evolution.
Evoking undefined places means living and identifying in those contexts that offer new perceptions of reality and self, and that stimulate the senses, making us more receptive, and enriching our stock of information that permits us to elaborate new reflections, thoughts and creative ideas. The focus of this collection is not to present geographical places that inform us of their physiological characteristics that distinguish them from others; the presentation of this collection is in fact an invitation to participate, to be present in those atmospheres letting us be carried on to the emotional plane. The works presented here refer mainly to settings that stimulate not a discovery of places, but a (re-)discovery of the self.
Evoking undefined places means living and identifying in those contexts that offer new perceptions of reality and self, and that stimulate the senses, making us more receptive, and enriching our stock of information that permits us to elaborate new reflections, thoughts and creative ideas. The focus of this collection is not to present geographical places that inform us of their physiological characteristics that distinguish them from others; the presentation of this collection is in fact an invitation to participate, to be present in those atmospheres letting us be carried on to the emotional plane. The works presented here refer mainly to settings that stimulate not a discovery of places, but a (re-)discovery of the self.
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The exhibition as a whole is in some way connected with what the history of visual arts has already presented to us: "non-places" are found in romantic works, which from the second half of the '700, consistently with the German movement “Sturm und Drang”, manifest a human perception and feeling giving space to sentimentality and introspection, but they are also those of the symbolist, metaphysical and surrealist works, reaching then the virtual ones of contemporary art.
Those present here are almost dreamlike places, they are presented as "safe places" where you can live the experiences without the pitfalls of the real world: ... The fantastic stories, art, mythology and fairy tales are perhaps born with this intent, to meet humankind’s need to recreate safe worlds.. It is here that one deeply enjoys the experience with the unknown, this is the unknown "without pitfalls,", that unknown that makes us live in a fluid and fulfilling way, that sense of confusion, the experience of discovery and wonder.
The exhibition as a whole is in some way connected with what the history of visual arts has already presented to us: "non-places" are found in romantic works, which from the second half of the '700, consistently with the German movement “Sturm und Drang”, manifest a human perception and feeling giving space to sentimentality and introspection, but they are also those of the symbolist, metaphysical and surrealist works, reaching then the virtual ones of contemporary art.
Those present here are almost dreamlike places, they are presented as "safe places" where you can live the experiences without the pitfalls of the real world: ... The fantastic stories, art, mythology and fairy tales are perhaps born with this intent, to meet humankind’s need to recreate safe worlds.. It is here that one deeply enjoys the experience with the unknown, this is the unknown "without pitfalls,", that unknown that makes us live in a fluid and fulfilling way, that sense of confusion, the experience of discovery and wonder.
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When it is not about settings the subjects of these works are figures dissociated from their context, as if immersed in another dimension in search of a refuge from reality, in those spaces and mental places where one can find their own self, their own history and their own becoming.
When it is not about settings the subjects of these works are figures dissociated from their context, as if immersed in another dimension in search of a refuge from reality, in those spaces and mental places where one can find their own self, their own history and their own becoming.
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Somewhere Exhibition Catalog │Buy it
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ARTISTS
Agnese Golia, Alessandro Ceccarelli, Alessandro Rava, Alice Muratore, Audrey Ryland, Bergina Leka, Bradley Stafford, Cainy Yiru Yan, Carlotta Olympia Pompei, Catalina Aranguren, Chen Yongqun, Chung Chak, Daia Hadid, Eduardo Fujii, Egor Kirillov, Fitia Randriamasy, Flor Crosta, Giulio Aprin, Giulio Tonincelli, Grace Kusek, Graceful Madness, Hanna Hnatsiuk, Heidi Cavazos, Ievgeniia Grytsku, Iris Gray, Jeff Rufus Byrd, Jennifer McKenna, Joanna Figarska, Kaleigh Hunter, Kate Dougherty, Lera Zilbershtein, Lieven Neirinck, Lisa Burdeniuk, Lisa Flanary, Ma Buyuan, Mahziyar Mehdipor, Marco Bartolozzi, Marco Vallefuoco, Maria Tulchinskaya, Mark Sawrie, Michael McFadden, Mikey Peterson, Milad Nalbandiyan, Mohammad Sorkhabi, Myrto Pavlopoulou, Natasa Stamatovic, Neale Sarah, Olesya Pasynkova, Olga Bossart, Olivia Talarico, Paul Coudrier, Polina Shumacher, Robert Pinchin, Sarah Rocca, Scarlet Thomason, Simone Frau
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AGNESE GOLIA
Bare │ Photography, 2024
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The feeling of the sublime, of the complete immersion with the infinite and of the immediate fusion with what I percieve. I feel so infinitely small, yet so big. I’m naked from all the things that have always been important to me. Now, nothing really matters. What does the person see? What do they feel? The black sorrounding the subject wants to invite the viewer to imagine the vision.
- A. G.
- A. G.
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AGNESE GOLIA
Wonder │ Photography, 2024
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The subject is standing on a peak to contemplate the landscape. This is not only beauty: it is a greatness that manages to awaken the soul from the banality and boredom of everyday life. It is a glow that strikes our brain. We are beings in constant search of this glare, in constant search of wonder, and only nature can satisfy us.
- A. G.
- A. G.
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ALESSANDRO CECCARELLI
Estuary │ Photography, 2022
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A family enjoying a Sunday afternoon by the river Thames estuary at low tide. Leigh on Sea, UK.
- A. C.
- A. C.
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www.alexcecca.squarespace.com
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ALESSANDRO RAVA
An Endless Farewell │ Photography, 2024
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joutssen.myportfolio.com
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ALICE MURATORE
Dove Piovono Cristalli (Where It Rains Crystals) │ Photography, 2023
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Dove piovono cristalli is a personal research that leads to a reflection on existence and on impermanence of earthly things. Through an exploratory and performative investigation, the author queries about existence after death, understood not as an end, but as a change of state. In an imaginary outside of time, a crystals rain allows us to bridge the gap between what we can see and what we cannot see, becoming access to a parallel dimension between the visible and the invisible.
- A. M.
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www.alicemuratore.com
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ALICE MURATORE
Dove Piovono Cristalli (Where It Rains Crystals) │ Photography, 2023
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www.alicemuratore.com
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AUDREY RYLAND
Theatrics │ Photography, 2024
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This image was captured on a Holga 120N in the spring of 2024 in Savannah, Georgia. I stumbled upon a garden of sorts that felt like I had been transformed to someplace more ambiguous, more confusing yet simple.
- A. R.
- A. R.
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AUDREY RYLAND
When? │ Photography, 2024
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Earth, in the form of a cube, the steady form of matter, is one of the five Platonic Solids, shapes repeated throughout the known Universe from molecules to large structures and beyond. Getting in touch with these perfect realities creates an immediate relationship, allowing us to recognize ourselves as a part of them and align with the essential forms of Nature.
- A. B.
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BERGINA LEKA
On the Road │ Photography, 2022
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I wake up in a place known but that I no longer recognize. I leave for an unknown place with the hope of finding myself....
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www.berginaleka.com
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BERGINA LEKA
Sorriso (Smile) │ Photography, 2023
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I’m afraid - I said. The wind has taken my words and made them go around the world. The sea has heard. I feel alone - I said. The stones listened and contemplated the blue sky. The sea heard. I want you - I said. The void ate my words, and it felt even more hungry. The sea heard. The sea smiled at me. The sea welcomed me.
- C. A.
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www.berginaleka.com
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BRADLEY STAFFORD
Pink Twilight │ Photography, 2023
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Somewhere on the road, getting lost in the void of what's real and what's not.
- B. S.
- B. S.
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www.bradleystafford.com
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CAINY YIRU YAN
St Edmund Church, Southwood │ Photography, 2023
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Three pieces from the 'Elegies of Sanctity' series, merging laser scans and photopolymer etchings, reflect the convergence of nature, spirituality, and time. Capturing the intricate decay of three overlooked UK churches in 2023, these works juxtapose modern and traditional imaging techniques. It unveils a realm where structures, once symbols of human awe, are reclaimed by nature, creating a new art. This series contemplates our transient existence, nature's lasting power, and the intricate interplay between human pursuits and the ephemeral world.
- C. Y. Y.
- C. Y. Y.
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CAINY YIRU YAN
St Edmund Church, Somerton │ Laser Scan, Photopolymer, Etching on Paper, 2023
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CARLOTTA OLYMPIA POMPEI
Dusk, Zadar, Croatia │ Photography, 2023
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Amid the delicate hues of Zadar's dusk, where the day whispers its farewell to the world, I immortalised an unforgettable moment. As Alfred Hitchcock once noted, “The sunset of Zadar is the world’s most beautiful.”
- C. O. P.
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www.carlottaphotography.co.uk
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www.carlottaphotography.co.uk
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CATALINA ARANGUREN
Snail Shaped Cloud over Rocky Formation │ Photography, 2024
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Catalina's work encapsulates frozen moments in time, capturing fragments of existence that are transformed into visual narratives. However, she goes beyond mere representation, aiming to engage the viewer on a deeper level. Each observer's unique perspective and personal context serve as filters through which the artwork is perceived, subsequently shaping their interpretation.
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www.argia.photos
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www.argia.photos
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CHEN YONGQUN
Seeing Myself in the Darkness #1 │ Photography, 2023
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The work was made in Inner Mongolia prairie in the summer last year. I was getting lost and tried to find a right way by using a flashlight, but it did not work.
- C. Y.
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www.chenyongqun.com
- C. Y.
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www.chenyongqun.com
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CHUNG CHAK
Delivery Tricycle and Factories Buildings │ Digital, 2023
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Gentrifications are unavoidable. Yet, they lead to the relocation of the poor. Reflecting on my family's experience in Hong Kong in the 70s, we were removed from the city center to the outskirts. My father complained, but Hong Kong blossomed. Observing numerous urban redevelopments in Beijing, I photographed random walls being torn down and reconstructed them into harmonic entities, symbolizing the conflicts between individual and collective interests. They serve as a poetic documentation of present-day Beijing while evoking memories of my childhood in Hong Kong.
- C. C.
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https://chak6119.com/walls
- C. C.
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https://chak6119.com/walls
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CHUNG CHAK
Fruit Seller by the Education Wall Paintings │ Digital, 2023
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https://chak6119.com/walls
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DAIA HADID
At the Edge of Sunset │ Photography, 2021
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My work focuses on capturing the fleeting beauty of nature and exploring the interaction between humans and the environment. For this submission, I present a photograph of a silhouette at sunset, surrounded by a peaceful natural setting. Using an analog camera with triple exposure, the image has a soft and dreamy quality, blending the human figure with the natural landscape, suggesting harmony and connection.
- D. H.
- D. H.
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EDUARDO FUJII
Foggy Morning at Del Monte Beach │ Photography, 2017
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Abstract ice defiantly contrasting jet-black sand mimics the kaleidoscopic physiological component of emotion. Behind every image is a reason to verge on what authentically interests the mind concurrently allowing escape from what’s truly there. Why then not simply submit to enjoy the beauty in the moment notwithstanding an elusive world?
- G. A.
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EGOR KIRILLOV
Exodus │ Photography, 2023
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On September 19, 2023, Azerbaijani troops shelled Stepanakert, the largest city of the self-proclaimed Nagorno-Karabakh Republic, a mountainous enclave populated mainly by Armenians, but recognized by the international community as part of Azerbaijan. The next day, the unrecognized republic capitulated. People who have left their hopes have only things that they managed to take with them. Is there a future for them somewhere?
- E. K.
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http://kirillovegor.com
- E. K.
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http://kirillovegor.com
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EGOR KIRILLOV
Exodus │ Photography, 2023
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http://kirillovegor.com
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FITIA RANDRIAMASY
Land Model │ Photography, 2023
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The color balance and the light give life to the picture. Straight from the objective, the picture seems to be unreal in its pink tones. However, this model is the Earth. Our model is our Earth, “Land Model”.
- F. R.
- F. R.
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https://new.express.adobe.com/webpage/aDOntu1yHpsbU
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FLOR CROSTA
Summer │ Photography, 2024
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I used to think what made a place home were the people living there. This photograph was taken during my last trip back home, Uruguay. I went thinking how much I wanted to photograph my loved ones, their daily routines but instead I found myself shooting nature, going to all these places that I didn't realize meant so much to me. “Volver” -go back- tries to answer, what makes Uruguay home for me?
- F. C.
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https://florcrosta.com
- F. C.
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https://florcrosta.com
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GIULIO APRIN
The Palm Boys │ Photography, 2022
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I saw some kids between the palm trees playing and joking with each other. One of them was carrying a bundle of dry palm leaves over his head while the others laughed and chased each other. The scene reminded me that no matter how hard life can be, no matter where you are, it doesn’t take much to smile. I couldn’t help but capture the simplicity, but power of this moment framed in this surreal context.
- G. A.
- G. A.
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http://giulioaprin.xyz
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GIULIO APRIN
Resiliens │ Photography, 2022
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Resilience as the basis of something greater. Not just resistance but going beyond robustness; not merely withstand a shock but actually improving because of it. The ability to absorb the inclements of life and make them one's own to thrive through it. Founded in the 13th century as the center of numerous trans-Saharan trade routes, Chinguetti is a ksar in Mauritania, a medieval trading center, today severely threatened by the advance of the desert.
- G. A.
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http://giulioaprin.xyz
- G. A.
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http://giulioaprin.xyz
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GIULIO TONINCELLI
An Ocean in Between │ Photography, 2017
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Plato thinks they are the submerged Atlantis, Homer the "Elysian Realms", Herodotus wants them to be "Gardens of the Hesperides" while Virgil wants the "Happy Islands". In the middle of a vast expanse of blue nothing that does not grant reference points for the naked view of the human being, the Canary Islands can be many things. Fuerteventura, pre-covid, Spain.
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- G. T.
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- G. T.
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GRACE KUSEK
All the Light We Cannot See │ Photography, 2024
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The relationship between the supernatural and religion is deeply intertwined, as both deal with phenomena that transcend the ordinary experiences of life. At the heart of this connection lies the role of the supernatural as a fundamental bridge between the known, tangible world and the mysterious, often ineffable realms that lie beyond human understanding. All the Light We Cannot See was born as an exploration of beliefs and questions I ask myself along my journey.
- G. K.
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www.gracekusek.com
- G. K.
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www.gracekusek.com
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GRACEFUL MADNESS
Glasgow Rain │ Photography, 2023
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Crafted from a series of images taken in Glasgow in 2022, with photos of New York and Paris infused, this artwork is a homage to the places I hold dear. It explores the profound sense of detachment that arises when one's heart and soul are burdened, mirroring the world's reflection of this inner turmoil. Despite the enveloping gloom, the piece whispers a message of hope: the pursuit of light and beauty can lead us through the darkness.
- G. M.
- G. M.
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HANNA HNATSIUK
Nsture │ Photography, 2021
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Somewhere where you can be inspired by peace and quiet.
- H. H.
- H. H.
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HEIDI CAVAZOS
Blue, Open Again │ Photography, 2022
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Open Again is a series of photographs based on the letters women have wrote to themselves in which they have experienced disdain. In means of healing, Open Again is unearthing, a portal to one’s intricate maze, where light guides us back to openness.
- H. C.
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www.heidicavazos.com
- H. C.
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www.heidicavazos.com
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IEVGENIIA GRYTSKU
Snow Infinity │ Photography, 2023
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The photo shows a landscape from Mount Snezka in Poland. The winter cold and the very cold winter sun. It is made of snow itself. It does not warm anymore. The whole world has turned into snow.
- I. G.
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https://zhmeniagritsku.wixsite.com/photographers-portfo/home
- I. G.
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https://zhmeniagritsku.wixsite.com/photographers-portfo/home
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IRIS GRAY
Desert Mothers. Overlook 1987 │ Photography, 2020
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An imaginary documenting a group of displaced photographers called the "Desert Mothers" and their wanderings. Collaboration with Katie Powell.
- I. G.
- I. G.
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IRIS GRAY
Desert Mothers: Petroglyph 1946 │ Photography, 2020
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JEFF RUFUS BYRD
Landscape #2 │ Photocopy, 2023
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My recent works are site specific performances that use specific landscapes coupled with costumes to critique the theatrical character of masculinity in American culture.
- J. R. B.
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www.jefferybyrd.com
- J. R. B.
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www.jefferybyrd.com
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JEFF RUFUS BYRD
Landscape #3 │ Photography, 2023
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www.jefferybyrd.com
www.jefferybyrd.com
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JENNIFER MCKENNA
Waterscape, San Francisco Bay │ Photography, 2023
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https://jennifermckennaphotography.com/home.html.
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JENNIFER MCKENNA
Squall, Mt, Diablo │ Photography, 2024
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https://jennifermckennaphotography.com/home.html
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JOANNA FIGARSKA
Fog 3 │ Photography, 2021
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At the end, birds appear. They emerge from the fog, flying from or maybe along the sea. My dog, Luna, runs carelessly on a deserted beach.
- J. F.
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www.punktystyczne.com
- J. F.
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www.punktystyczne.com
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KALEIGH HUNTER
Haukadalur │ Photography, 2023
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Combined landscapes of Iceland. Hazy memories of a dream.
- K. H.
- K. H.
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KALEIGH HUNTER
Dalnum │ Photography, 2023
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KALEIGH HUNTER
Fjall │ Photography, 2023
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KATE DOUGHERTY
Rocky Mountain Mist │ Photography, 2023
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I captured this minimalist image of a mountain peak enveloped by clouds in Rocky Mountain National Park last April, when a storm rolled in. I feel that it conveys the sense of awe and wonder I felt.
- K. D.
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https://katedocphoto.smugmug.com
- K. D.
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https://katedocphoto.smugmug.com
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LERA ZILBERSHTEIN
The Volga River Under Ice Cover │ Photography, 2020
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The ice has risen unevenly, the river has resisted with violent waves, and now this place is striking with unreal silhouettes.
- L. Z.
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http://lerasonnephotography.com
- L. Z.
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http://lerasonnephotography.com
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LERA ZILBERSHTEIN
Green Lake │ Photography, 2020
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The forests of Mari El in Russia hold many pearls in their depths.
- L. Z.
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http://lerasonnephotography.com
- L. Z.
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http://lerasonnephotography.com
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LIEVEN NEIRINCK
Everyday Paradise - Bavikhove │ Photography, 2017
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I follow the course of the river the Leie in Belgium. This river passes my house and ends up in Ghent. Close to the water nature flourish. I find a lot of little paradises hidden along the course of this river. I meet with this places by reflection. Here I am, the place all to myself. Alone in silence, at a stone’s throw distance of my home, I find peace in paradise. Bavikhove - winter.
- L. N.
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www.hetpakt.com
- L. N.
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www.hetpakt.com
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LISA BURDENIUK
Inception │ Photography, 2023
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Lilies grow overnight Stars take centuries to form I’ll wait till you let your guard down And will enter your world Patience is the second name of Love Which has to care for thrift I will enter your world As a serendipity dove Not a Trojan gift.
- L. B.
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https://lisa-burdeniuk.kavyar.site
- L. B.
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https://lisa-burdeniuk.kavyar.site
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LISA FLANARY
The Saucer │ Photography, 2022
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Does this saucer fly? Is it just yard art? In the South it's more likely than not that a saucer in the yard can fly. This can be attributed to old tales of amazing feats, whiskey or burbon. This is the American South.
- L. F.
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http://lisaellisflanary
- L. F.
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http://lisaellisflanary
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MA BUYUAN
Northem City 15 │ Photography, 2022
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These photos were taken during 2021-2022 in a Northern China city.
- M. B.
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www.mabuyuan.com
- M. B.
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www.mabuyuan.com
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MA BUYUAN
Northem City 2 │ Photography, 2021
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www.mabuyuan.com
www.mabuyuan.com
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MAHZIYAR MEHDIPOR
Water │ Photography, 2021
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MARCO BARTOLOZZI
Lost at Sea [Mare] │ Photography, 2023
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Photography is my only way of capturing moments that stop in time and become indelible memories. My vision focuses on architectural photography, where the absence of people reveals the hidden stories of human and social activities that take place in those places. In each shot, I try to capture the waiting, the passage of time and the dynamics between presence and absence. Each image tells a silent story, inviting viewers to reflect on the depth of each place.
- M. B.
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https://marcobartolozzi.wixsite.com/fotografia
- M. B.
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https://marcobartolozzi.wixsite.com/fotografia
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MARCO BARTOLOZZI
Lost at Sea [Mare] │ Photography, 2023
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https://marcobartolozzi.wixsite.com/fotografia
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https://marcobartolozzi.wixsite.com/fotografia
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MARCO BARTOLOZZI
Lost at Sea [Mare] │ Photography, 2023
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https://marcobartolozzi.wixsite.com/fotografia
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https://marcobartolozzi.wixsite.com/fotografia
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MARCO VALLEFUOCO
Ecografia di Ida │ Photography, 2022
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Conceptual portrait of a girl from Italy, who doesn't knew where her life was going.
- M. V.
- M. V.
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MARIA TULCHINSKAYA
Horseshoe BendSirens │ Photography, nd
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MARK SAWRIE
Past Tense │ Photography, 2023
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A line from Sydney Lumet’s 1977 screen adaptation of Peter Shafer’s play EQUUS informs my photography. “Worship, all that you see and more will appear.” Photography for me is a form of worship. An optical prayer to the visuals that reality presents me with. I believe I am a fine-tuned observer, a receiver, a receptacle for the endless stream of visual happenstance.
- M. S.
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http://artistslashsomethingorother.com
- M. S.
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http://artistslashsomethingorother.com
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MIKEY PETERSON
Wake │ Video, 2020
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Through organic layers, a woman contorts and reforms amongst a sky-blue field. Nature dictates the majority of what we see. When immersed in a dream or recalling our past, we attempt to hold on to the impalpable. This moment in time appears close, but it is slightly out of reach. A new figure enters the space and appears to interrupt the woman’s solitude - or possibly contributes to it, while we continue to decipher our connection with her.
- M. P.
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www.mikeypeterson.com
- M. P.
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www.mikeypeterson.com
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MILAD NALBANDIYAN
Mother of the Sea │ Photography, 2023
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MILAD NALBANDIYAN
Swan │ Photography, nd
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MOHAMMAD SORKHABI
She's Vanished │ Photography, 2019
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My friend Mehrnoosh and I opted for a retreat from the urban hustle and ventured to one of Neishabur city's most picturesque elevations. Abruptly, snow began to descend, enveloping us in a serene blanket of white. Immersed in the enchanting ambiance, we felt disconnected from the outside world. It was as if Mehrnoosh had seamlessly merged into the essence of existence, transcending the constraints of time and space.
- M. S.
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www.mohammadsorkhabi.ir
- M. S.
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www.mohammadsorkhabi.ir
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MOHAMMAD SORKHABI
Enveloped within the Ethereal Sphere │ Photography, 2022
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I yearned for God to unravel my strife. Instead, He hurled me into the earthly realm, Where I became neither myself nor anyone else.
- M. S.
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www.mohammadsorkhabi.ir
- M. S.
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www.mohammadsorkhabi.ir
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MYRTO PAVLOPOULOU
Lucid Reflections │ Mixed Media, 2024
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Un-mapping vast expanses filled with the echo of thoughts. Where nothing needs to make sense, yet may harmoniously exist. A standstill, in a personal place, where no one can intrude, a safe space of observation. This collage is meant to take the viewer to that place where they exist, without having to be.
- M. P.
- M. P.
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NATASA STAMATOVIC
Ostrvo │ Photography, 2023
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NATASA STAMATOVIC
Ostrvo 2 │ Photography, 2022
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NATASA STAMATOVIC
Ostrvo 2 │ Photography, 2022
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NEALE SARAH
Magical Circle of Moray │ Photography, 2019
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The Incas created the Moray terraces as a place for experimental agriculture. Each circular terrace corresponds to a specific climate in the world. This meant that they could experiment with different types of agriculture in the same place throughout the year.
- N. S.
- N. S.
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NEALE SARAH
Magical Circle of Moray │ Photography, 2019
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OLESYA PASYNKOVA
Somewhere in the Forest │ Photography, 2022
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OLESYA PASYNKOVA
Somewhere in the Pond │ Photography, 2022
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OLGA BOSSART
Frozen World 1 │ Photography, 2023
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If suddenly the whole world freezes, in the icy silence my soul will whisper secrets that only the silence of the frozen world can hear.
- O. B.
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www.olgabossart.com
- O. B.
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www.olgabossart.com
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gr5uz
OLGA BOSSART
Frozen World 2 │ Photography, 2023
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www.olgabossart.com
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OLIVIA TALARICO
It Takes a Village │ Photography, 2020
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It takes a village to raise a child, and a creative mind to keep one entertained.
- O. T.
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http://oliviatalarico.com
- O. T.
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http://oliviatalarico.com
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PAUL COUDRIER
Two Free Men │ Photography, 2023
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Photo taken from the "Bifröst" project, carried out north of the Arctic Circle, from Tromsø to the Lofoten Islands (Norway). I wandered into this “film noir” atmosphere where I felt both lost and out of place. Free. Exit the postcards of the picturesque red wooden house and other ready-made ideas... Faithful to this feeling of brutal and liberating purity, I captured a palette of harsh landscapes, rare light, in shades of black and white with an omnipresent grain.
- P. C.
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https://paulcoudrier.com/fr/accueil
- P. C.
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https://paulcoudrier.com/fr/accueil
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PAUL COUDRIER
Harmonious Cohesion │ Photography, 2023
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https://paulcoudrier.com/fr/accueil
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POLINA SHUMACHER
Echo │ Photography, 2024
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Through the war and death that have permeated our land, I have started to ponder more often, what comes after? Honestly, I don't want to believe that the end can be so irreversible. Maybe there is still life after all? Easy and calming. I want to show the story of human souls through the example of one. How does a soul look when it leaves the human body and becomes free? It wanders the world, absorbing the wisdom of the years lived, but with pure delight. Because now, there is nothing to worry about. In this way, I give a second chance to my soul and demonstrate that life will continue.
- P. S.
- P. S.
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POLINA SHUMACHER
Echo │ Photography, 2024
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ROBERT PINCHIN
Coast Hotel │ Photography, 2023
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Gym room of the Coast Hotel: Abbotsford, British Columbia. A lucky discovery on the other side of the country while on a work trip. Reminds me of the apartment building my grandmother lived in.
- R. P.
- R. P.
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ROBERT PINCHIN
YMCA │ Photography, 2022
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YMCA - downtown Hamilton, Ontario. A very special place with a lot of special character.
- R. P.
- R. P.
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SARAH ROCCA
Nestled │ Photography, 2020
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Seeking solace in the embrace of the forest floor, the subject's presence is both fragile and poignant against the backdrop of nature's autumnal splendor. leaves ablaze in hues of orange and gold, the vibrant colors of the leaves contrast with the woman's subdued presence, emphasizing the stark interplay between internal turmoil and external beauty.
- S. R.
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www.vividviewproduction.som
- S. R.
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www.vividviewproduction.som
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SCARLET THOMASON
Somewhere 3 │ Photography, 2023
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Scarlet Thomason is an artist from Seattle, Washington, who now works in Salt Lake City. As an artist, she works primarily in photography. Using a digital Canon DSLR camera, she likes to take street photography that shows how people act when animals interfere with their everyday lives. She will also take photos of landscapes and cityscapes to present human interference with nature.
- S. T.
- S. T.
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SIMONE FRAU
Distanza │ Photography, 2023
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Boundless Space. Primordial. Unconnected. These two pictures are part of one and the same idea.
- S. F.
- S. F.
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SIMONE FRAU
Attesa │ Photography, 2023
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Setting Boundaries. Ancestral things. Eldritch yet Familiar. These two pictures are part of one and the same idea.
- S. F.
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